The Long Song: Shortlisted for the Man Booker Prize 2010: Shortlisted for the Booker Prize

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The Long Song: Shortlisted for the Man Booker Prize 2010: Shortlisted for the Booker Prize

The Long Song: Shortlisted for the Man Booker Prize 2010: Shortlisted for the Booker Prize

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House slave and boarding house owner. An elegant, beautiful but haughty woman who thinks herself superior to others darker than herself. She tries to belittle July at every meeting and boasts to her of being married to a white man. Related Programme Information It was the publication of the prize-winning Small Island in 2004 that propelled Andrea Levy to international acclaim. The novel told the story of Jamaican families like her own integrating into post-war Britain and drew directly from the experiences of her parents and their passage to the Mother Country. The success of 'Small Island' held deep personal significance for Andrea. The book covers significant periods in history, including the 1831-1832 Baptist Wars and the 1838 abolition of slavery. Discuss the portrayal of resistance and rebellion in the novel across these periods and the impact on the characters and their quest for freedom.

While The Long Song depicts a dark period of history, the author’s use of language and tone is often distinctly humorous, which can, at times, feel disconcerting given the subject matter is so harrowing. How does this use of levity help readers navigate material relating to this period?Caroline is a white mistress at Amity and the plantation owner’s sister. She is responsible for taking July from the cotton fields (‘Look how cute the little one is’, she says before callously removing her from her mother). Caroline teaches July to read and write so she can help her run the business. She is deeply flawed and becomes unknowingly dependent on July.

Profiling the life and work of Andrea Levy, the best-selling author of Small Island, who died in February 2019.The Guardian: ‘I started to realise what fiction could be. And I thought, wow! You can take on the world’ With the story told through the prism of July’s memory, we are led to question how much of the story is accurate. At times she recalls events, despite not personally bearing witness to them. July is presenting a collective memory of events that happened to a group of people - she fills in gaps, embellishing tales while drawing on the experiences of others. Did you feel, or question, while reading, if there was any unreliable narration from July? Ultimately, does it matter?

July is a mulatto, the daughter of Scottish overseer Tam Dewar, who raped Kitty, her slave mother. July enjoys giving us alternative accounts of her arrival in the world and Levy revels in storytelling itself, its sheer pliability. The memoir comes to its climax during the 10-day Baptist war in 1831 and the slave uprisings that followed. She makes you understand how chaotic and punitive this moment in history was, as well as liberating. Levy has researched the novel meticulously, but July has no desire to weigh herself down with any historical burden. Instead, she cheekily recommends that we do some homework ourselves but warns against a publication called Conflict and change. A view from the great house of slaves, slavery and the British Empire, observing: "… if you do read it and find your head nodding in agreement at this man's bluster, then away with you – for I no longer wish you as my reader." Levy’s handling of slavery is characteristically authentic, resonant and imaginative. She never sermonises. She doesn’t need to – the events and characters speak loud and clear for themselves… Slavery is a grim subject indeed, but the wonder of Levy’s writing is that she can confront such things and somehow derive deeply life-affirming entertainment from them.’ An additional sting in the tragedy of the death of Andrea Levy at the age of 62 was that an author whose work displays a rare combination of compelling narrative and historical urgency had time for only five novels.Andrea Levy was the author of six books, including Small Island, which won the Orange Prize for Fiction, and the Whitbread Book of the Year.

verifyErrors }}{{ message }}{{ /verifyErrors }}{{ Writing came to Levy's rescue. Her first three books - 'Every Light In The House Burnin'' (1994), 'Never Far from Nowhere' (1996) and 'Fruit of the Lemon' (1999) - explored questions of immigrant identity and were semi-autobiographical. Through her writing, she explored the historical connection between Britain and the Caribbean as a profoundly British concern, and her literary project was to make people of both small islands aware of their intertwined history.Pictured:Kitty (Sharon Duncan-Brewster) and July (Tamara Lawrance) Tam Dewar, played by Gordon Brown Violence and brutality run through the novel and Levy opens with a serious sexual assault, from which the novel’s narrator, July, is born. Discuss how gender plays a role in the novel and its wider historical events. Do you think women were more vulnerable than men?



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