Dr. Richard Lenski, leader of the E. coli long-term evolution experiment, made an allusion to the story in a widely disseminated response [8] to Conservapedia founder Andrew Schlafly (who expressed doubt Lenski found an evolutionary beneficial mutation in E. coli bacteria): "In other words, it's not that we claim to have glimpsed 'a unicorn in the garden' – we have a whole population of them living in my lab!" [8]

Colburn, Kathrin. "Three Fragments of the Mystic Capture of the Unicorn Tapestry." Metropolitan Museum Journal 45 (2010). pp. 97–106, fig. 2. Freeman, Margaret. The Unicorn Tapestries. New York: The Metropolitan Museum of Art, 1976. no. 7, discussed and ill. thoughout. Rorimer, James J., and William Holmes Forsyth. "The Medieval Galleries." The Metropolitan Museum of Art Bulletin, n.s., 12, no. 6 (February 1954). p. 121.My eldest has already had some of the My Fairy Garden range before when she was younger. She was bought a set for Christmas and she loved setting it up and watching it grow. The new Grow and Play Range is even better, as allows little ones to sow some seeds, watch them grow but also set up their own magical world to play with too. Tomkins, Calvin. "The Cloisters... The Cloisters... The Cloisters...." The Metropolitan Museum of Art Bulletin, n.s., 28, no. 7 (March 1970). p. 313. Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. 75th Anniversary ed. New York and New Haven: The Metropolitan Museum of Art, 2012. p. 174–75.

Rorimer, James J. "New Acquisitions for the Cloisters." The Metropolitan Museum of Art Bulletin, n.s., 33, no.5, part 2 (May 1938). pp. 14–17, cover ill. My eldest was kindly set TheMy Fairy Garden Unicorn Garden & The Magical Wishing Well and The Fairy Forest Friends sets.

The 1950 film Harvey contains a scene depicting characters at a psychiatrist's office, where Veta is committed to the institution instead of Elwood. Peterson, Daniel C. (2002). "Self-grading quiz: The Unicorn in the Garden". Glendale Community College . Retrieved 2007-02-10.

The story is a piece of prose writing that is belletristic in style which is characterized by a casual, yet polished and pointed, essayistic elegance. The main aim is to entertain and also make people think and appeal to their emotions. It is told in the third person by an authorial (omniscient) narrator who describes the events objectively. There are mainly elements of the descriptions with some short dialogues as well. Cohen, Meredith. "The bestiary beyond the book." In Book of beasts: the bestiary in the medieval world, edited by Elizabeth Morrison. Los Angeles: J. Paul Getty Museum, 2019. p. 183, fig. 66. In the first place this story is a fable which leads to a particular moral lesson at the end and one of its characters is a mythical legendary creature – a unicorn. There are all the characteristics of a fable:The protagonists of this story, th man and his wife, are obviously opposed to each other. The man is dreamy, seems kind and composed, while the woman is unfriendly and selfish towards him. So when the man went upstairs to tell his wife about the great news he had experienced, she opened an unfriendly eye..and looked up at him coldly and she’s even threatening to send him to the booby hatch. The strong desire to get rid of her husband is expressed by the simile As soon as the husband had gone out of the house, the wife got up and dressed as fast as she could followed by she was very excited and there was a gloat in her eye which again stresses the fact of her evil plan. The ninth episode of the TV series Life on Mars has similarities with the story. The protagonist, Detective Inspector Sam Tyler tells a criminal that he, Tyler, is a time traveller from the future. When the criminal tells Tyler's colleagues of this, in an attempt to discredit him, Tyler denies being the source of the 'delusion' and the criminal is discredited instead. Watch The Unicorn in the Garden". at the Internet Archive. Columbia Pictures and United Productions of America. Young, Bonnie. A Walk Through The Cloisters. New York: The Metropolitan Museum of Art, 1979. pp. 65–75. Souchal, Geneviève, ed. Chefs-d'œuvre de la tapisserie du XIVe au XVIe siècle. Paris: Galeries nationales du Grand Palais, 1973. no. 18–24, pp. 76–86.

The adventure really begins as you enter the land of Mystic Stallions! These strong horses have no fear as the dive into adventure on both land and sea. Can you imagine theHorses are the closest thing we have to Unicorns in reality! Two worlds blend together as these majestic mares dance around the most lovely nature scenes. See what the horses are up to when we aren’t looking through the woods and waving meadows of flowers. An audio adaptation of the story, read by Peter Ustinov, was released by Caedmon Audio in 1986 ( ISBN 0-89845-641-X). Franke, Birgit. Assuerus und Esther am Burgunderhof: Zur Rezeption des Buches Esther in den Niederlanden (1450 bis 1530). Berlin: Gebr. Mann, 1998. p. 119. Freeman, Margaret B. "The Unicorn Tapestries." The Metropolitan Museum of Art Bulletin, n.s., 32, no. 1 (1973-1974). pp. 212–217.