Rehearsals started for the album recording sessions sometime in late March/early April, and once the material was honed to his satisfaction, Zappa and crew decamped to Paramount Studios where recording began on April 10, 1972. By the end of the month, Zappa, who handled production, guitar, and conducting duties, had recorded the bulk of two albums, the jazz-influenced Waka/Jawaka (intended by Zappa as a sequel to Hot Rats), recorded with a lineup of six to nine musicians, and the epic and ambitious jazz-fusion masterwork, The Grand Wazoo, recorded with a larger ensemble ranging from eight to as many as 20 musicians. The musicians largely consisted of players new to Zappa, with a few familiar faces in the mix, and included folks like drummer Aynsley Dunbar and bassist Alex “Erroneous” Dmochowski, who Dunbar brought into the fold, longtime Mothers keyboardists George Duke and Don Preston, guitarist Tony Duran, percussionists Alan Estes, Bob Zimmitti and a whole host of brass and woodwind players that included the likes of Sal Marquez, Malcolm McNab, Kenny Shroyer, Earle Dumler, and Tony “Bat Man” Ortega. Bob Zimmitti - percussion ( "Think It Over (The Grand Wazoo)", "For Calvin (And His Next Two Hitch-Hikers)") In fact, Frank christened the ensemble The Grand Wazoo Orchestra and, by the end of April, he had the two albums – Waka/Jawaka and The Grand Wazoo in the can. Waka/Jawaka, recorded with a core of between six and nine musicians, was released on 5 th July 1972 as a Frank Zappa “solo” album, often considered to be the sequel to his 1969 tour-de-force, Hot Rats, and there’s certainly lots of evidence to justify that comparison; it’s jazzy, predominantly instrumental and laced with multiple time-signatures. Side One of the original album was given over to the mighty Big Swifty, a 17+ minute epic with some wonderful trumpet parts from Sal Marquez, whilst a real highlight of the album’s second side is the disquieting It Might Just Be a One Shot Deal, on which Sal shares vocals with Janet Ferguson and “Sneaky” Pete Kleinow – on loan from The Flying Burrito Brothers – adds atmospheric pedal steel. By the time the band arrived in San Francisco, the next phase of Frank Zappa’s life was already beginning to unfold and selections such as Montana, Father O’Blivion and Cosmik Debris, from 1973’s Overnite Sensation album, had found their way onto the setlist. No moss ever grew on Frank Zappa!

If you’ve ever wondered why Frank Zappa is regarded as a musical genius, you’ll find the proof in every groove of The Grand Wazoo – it’s an album alive with ideas, ambition, and humor that skips between genres with abandon, from exhilarating jazz funk to wee small hours jazzy shuffles. If the words “jazz fusion” cause concern, The Grand Wazoo is an accessible entry point. If you’re already a fan of the Zappa of Hot Rats or We’re Only In It For The Money, prepare to have your mind blown all over again.hours ago Two Door Cinema Club have announced a massive concert for summer 2024 with a show at Custom House Square, Belfast on Thursday 15th August 2024. Billy Byers - trombone ( "Think It Over (The Grand Wazoo)", "For Calvin (And His Next Two Hitch-Hikers)", "Waka/Jawaka"), baritone horn ( "Waka/Jawaka") Frank Zappa had spent the early weeks of 1972 in hospital, recovering from the injuries he sustained after being pushed from the stage at London’s Rainbow Theatre by a crazed fan on 10 th December 1971. He spent the first half of 1972 in a wheelchair, constrained in a leg brace and, confined to his home in Los Angeles, he started to set out the framework for the next stages of his career, including producing doo-wop band Ruben And The Jets (named after Zappa’s own 1968 doo-wop project) and taking steps to realise his dream of working with a large “Electric Orchestra.” Tony Duran - slide guitar ( "Your Mouth", "Big Swifty", "Think It Over (The Grand Wazoo)", "For Calvin (And His Next Two Hitch-Hikers)", "It Just Might Be A One-Shot Deal"), vocals ( "It Just Might Be A One-Shot Deal"), rhythm guitar ( "Blessed Relief") In this review, I’m not covering the four compact discs, which fans like yourself can take the time to explore on their own. Of course, releases from Frank Zappa must be unusual, and Waka/Wazoo follows this path. For years I have not understood why a label would duplicate content made available on a high-resolution format by making it available on a CD in the same box set. Finally this has become reality with this box set chalk full of bonus material across the CD’s! Thus, the Blu-ray contains the two albums in their entirety in various hi-res codecs, while the CDs contain the following bonus material without any duplication - CD1 and CD2: Paramount Studios Recording Session Alternates and Outtakes, CD3: George Duke Demos (The Master Versions) + George Duke Session Outtakes, the end of CD4 + all of CD5: 10 Piece / Petite Wazoo (Live)

Matrix / Runout (Disc 2): 4859462 [2 x Universal Logo] AM83836-01 manufactured by optimal media GmbH amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;gt;&amp;amp;amp;lt;br /&amp;amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;<br />
Tony "Batman" Ortega - woodwinds ( "Think It Over (The Grand Wazoo)", "For Calvin (And His Next Two Hitch-Hikers)")

Although he was confined to a wheelchair and in immense pain, his work ethic could not be tamed, and he would end up having one of the most prolific years of his hugely prolific career. During this time, he managed, among other things, to assemble an ensemble that quenched his thirst and desire to work with a large “Electric Orchestra. amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;gt;&amp;amp;amp;lt;br /&amp;amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;<br />
Additionally, the collection includes a set of demos for George Duke’s solo material that Zappa produced and played guitar on during the album recording sessions at Paramount Studios. Although Duke would go on to re-record the compositions for his own albums, the versions with Zappa have never been officially issued until now.

In 1972, FZ experimented with an “Electric Orchestra” concept which resulted in two albums: Waka/Jawaka and The Grand Wazoo. Celebrating the 50th anniversary of this endeavor, Waka/Wazoo documents the recording sessions with outtakes & oddities. Also included is a live show from the Winterland Ballroom in San Francisco on 12/15/72 + the unreleased FZ-produced George Duke demos. A Blu-ray Audio disc features both albums with brand-new Dolby Atmos & 5.1 mixes + the 96/24 high-res stereo remasters. Though it was the second of the pair to be released, in no way is The Grand Wazoo a collection of outtakes or off-cuts – it’s a fully-formed album with a strong identity. Waka/Jawaka swims in similar jazz fusion waters, but it uses a small jazz combo, The Grand Wazoo saw Zappa embracing a big band with a clarity of purpose.Following are some of my first reflections on fun details I heard while listening to each of the albums, mostly in Dolby Atmos. Please note that these are first impressions and I reserve the right to alter/update my perspective upon subsequent listens (as I ask myself: “Did I really hear what I thought I heard?”). Navigation screen for The Grand Wazoo on the Waka/Wazoo Blu-ray Disc Rehearsals started for the album recording sessions sometime in late March/early April and once the material was honed to his satisfaction, Zappa and crew decamped to Paramount Studios where recording began on April 10, 1972. By the end of the month, Zappa, who handled production, guitar and conducting duties, had recorded the bulk of two albums, the jazz-influenced Waka/Jawaka (intended by Zappa as a sequel to Hot Rats), recorded with a lineup of six to nine musicians, and the epic and ambitious jazz-fusion masterwork, The Grand Wazoo, recorded with a larger ensemble ranging from eight to as many as 20 musicians. Produced by Ahmet Zappa and Zappa Vaultmeister Joe Travers, the comprehensive 4CD + Blu-Ray Audio set boasts unreleased alternate takes of almost every composition recorded during the album sessions, Vault mix session outtakes and oddities, and also includes the full final show of the 10-piece tour, recorded at the famous Winterland Ballroom in San Francisco on December 15, 1972. Kenny Shroyer - brass ( "Think It Over (The Grand Wazoo)", "For Calvin (And His Next Two Hitch-Hikers)"), trombone ( "Waka/Jawaka", "Cletus Awreetus-Awrightus"), baritone horn ( "Waka/Jawaka")

Also included is the full final show of the 10-piece tour, recorded at the famous Winterland Ballroom in San Francisco on December 15, 1972. Finally, during the album recording sessions at Paramount Studios, FZ worked with George Duke on some of Duke’s solo material. These demos were produced by Zappa, who also played guitar. The Waka/Wazoo Box Set features a complete historical run-down of the entire project, featuring alternate takes of almost every composition recorded during the album sessions, along with Vault mix session outtakes and oddities.

Notes

hours ago LIES!: Dutch metallic hardcore gang drops video for “Propaganda” (ft. Hugo Zerrad – Worst Doubt) via Invisible Oranges; 2nd album comes early December