Death in Holy Orders: An Adam Dalgliesh Mystery: 11

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Its strength might be tenuous and its path convoluted, but when he traced it, it would lead him to the heart of the mystery. Sure enough soon enough there has been more murder most foul, as the Archdeacon gets his head bashed in.

to the mystery, not the subplot? - 70% Murder of certain profession? - students/teachers Misc. Murder Plotlets - "All in the family" murder - Big focus on forensic evidence Kind of investigator - police procedural, British Kid or adult book? - Adult or Young Adult Book The end result is a sombre, serious novel about guilt, remorse, responsibility and death. (...) She believes that, just as the strict sonnet form can contain great poetry, a traditional detective novel can bear the weight of a serious moral theme. I think so, too, and found this one absorbing and provocative. But it's not light entertainment." - Jessica Mann, New Statesman Despite that, everyone except the 'baddie' who is murdered loves him, including Dalgleish himself and his new love interest so James makes it very clear that we as readers are supposed to side with them: as one character says 'He pleaded guilty to misbehaviour with two young boys. He didn't rape them, he didn't seduce them, he didn't physically hurt them' - so in James' world and that of the book, a bit of covert fondling and illegal touching of young boys is perfectly fine - he might not have 'physically' hurt them, but any psychological trauma from being assaulted by their priest is airily waved away.

The apparent suicide, the certified natural death, the brutal murder -- there was a cord which connected them. In spite of a good tale, and vivid characters, I couldn't get beyond, (nor should anyone) the defense of child abuse, ("it was only fondling") and the vilification of someone who "dug up" more victims. The fact that the story is so well done makes it worse, in that it carries some legitimacy to the idea of abuse being minimal. The subtext of abuse was not primary to the story, but it was definitely central - you couldn't miss it. No one would permit an defense of racism or rape or any other illegal and immoral activities. I don't want to give any of the plot away. The drama is set in the East Anglian coast at a Theological College, where men train to become priest. Adam Dalgish is called to investigate, after the death of one of the students and after the boy's wealthy Father insist on knowing what happened to his son. No sooner Adam Dalgish arrives, there are more murders. As in Original Sin (1995) and A Certain Justice (1997), James’s achievement is not to pin down individual guilt, but to show the place of crime and guilt and sin in a whole culture.

The acting was first class, especially Jesse Spencer character Raphael Arbuthnot. I had only ever seen him in Neighbours. His English accent was very convincing and his acting on whole was nothing short of superb. Character development suffers, particularly on the part of the hero, commander Adam Dalgliesh. The reader comes to be more enamored with the (rather perverse) sub-characters than with the protagonist. The only main theme one can pull from this rather pretentious little novel is that pigs do not stink. It seems as though the author is a pig enthusiast and can't bear the thought that so many people think they have an unpleasant odor. James prefaces Dalgliesh’s first interview with Father Sebastian by describing the warden, his clothes, and his office:There is expectation in the air, but there is no rush for events to unfold -- and it works very well that way. It would be interesting if James deliberately chose the name St. Anselm’s to reflect Anselm’s ontological argument for the existence of God. This argument was successfully undermined by Kant in his Critique of Pure Reason, and it’s formal errors are revealed by modern predicate logic. (As a Christian myself I think there are other arguments that are sound ...) Die große Kunst der P.D.James ist jene der Differenzierung: Der naive Glaube an die Allmacht des Detektivs, die falsche Hoffnung auf die Wiederherstellung der durch Mord zerrütteten Ordnung, ist das erste, was dieser Kunst zum Opfer fällt." - Thomas David, Frankfurter Allgemeine Zeitung

In this novel, Dalgliesh meets and begins a relationship with Dr Emma Lavenham, a visiting teacher from the University of Cambridge. However I had two major issues with the book. Firstly there is a indefensible defence of a paedophile whose life has been ruined by the vendetta a certain character had against him, with the intention of getting him convicted - which apparently involved finding dubious characters willing to perjure themselves in court and lie that he had seriously assaulted them. However, the fact that he had in reality "only" fondled choirboys is presented as relatively minor and something that should not have counted against him. Nowhere in the first section does James seem merely to be going through the motions, but in the later ones she falters very occasionally, giving in to trite and unnecessary predictability in stray sentences and explanations: Janet Maslin writes about "the will of Clara Arbuthnot, who left the building to the church", when in fact Clara is a more recent Arbuthnot -- the lesbian who dumped her illegitimate son on the doorstep of St. Anselm's as an infant; it was Agnes Arbuthnot who founded the college and penned the confounding will. So there are two deaths that Dalgliesh looks into, wondering if they are related? At the same time the Arch Bishop responsible for St Anselms is coming for a visit. He is most unlikeable and wants nothing more than to close the seminary. There are also other visitors to St Anselms and there are links between them all. Another death, this time a murder, brings all of Dalgliesh's team into the case; DI Piers Tarrant, DI Kate Miskin and DS Robbins.Dalgliesh is not the only unwanted guest who appears that weekend: among the others is the very Archdeacon (the position helpfully defined as "a kind of Rottweiler of the Church") who is pushing for the closure of the college, Reverend Crampton (who also caused one of the resident Fathers considerable grief years earlier), as well as a local police Inspector, Yarwood, who in turn caused the Archdeacon considerable grief years earlier (essentially accusing him of having murdered his first wife). Making his eleventh appearance, Scotland Yard Inspector Adam Dalgliesh is planning a vacation visit to St. Anselm’s Theological College on England’s East Anglia coast, where he spent time as a boy; prior to leaving London, he is told to look into the recent death of a St. Anselm ordinand (seminarian), the son of an important industrialist. Though the coroner ruled it an accident, Scotland Yard has received an anonymous letter that raises the specter of foul play. Dalgliesh—an introspective poet-intellectual who epitomizes the Criminal Investigation Division (CID) operative—finds the St. Anselm community upset by the young man’s death. They are also wary of the imminent arrival of Archdeacon Crampton, a trustee who wants the small seminary to be closed because, despite its endowment, it is not self-sufficient and requires too much financial support from the Church. The priests and others who work and reside at St. Anselm’s have many reasons for thwarting Crampton’s intent, though under its founding charter, when the school property (including valuable art holdings) is sold, the four resident priests will share the bounty. Even before Dalgliesh gets to the school, James has built the framework of a typical mystery novel: a restricted community, anxiety-filled characters, complex personal relationships, a suspicious death, an isolated setting, the prospect of inherited wealth as a possible motive. Her novels normally are longer than most mysteries, concerned as she is with theme as well as event, but the leisurely pace enhances the narrative and makes her characters more three-dimensional and realistic. There is no shortage of possible suspects, or motives, for Ronald's death. But before Dalgliesh even arrives on the scene, another death occurs - a death everyone else considers natural and expected. Dalgliesh wonders otherwise. As the body count continues to rise, so too the means, motive and opportunity of almost the entire community of St. Anselms. Dalgliesh and his team steadily work to reveal the killer or killers before someone else falls victim. Long-time widower Dalgliesh is furthered hampered in the investigation by his unexpected feelings for a visiting guest lecturer, Emma Lavenham. Will the possibility of love turn out to be a blessing or curse for Dalgliesh? The book starts with finding the dead body of Ronald Treeves, a young theology student at St Anselms. Ronald died climbing a sandy cliff which fell suffocating him. The coroner deemed his death as suicide, Ronald a prominent man is not happy with the ruling and asks Adam to investigate.