The newly remixed version of “Can You Hear The Wind Blow” is out today as a digital single and new music video. LISTEN NOW. WATCH HERE. Full reissue of the album " Still... Good to Be Bad" announced with remixes/remasters worldwide by Rhino. DC…Personally, I’m always writing bits & pieces here & there, for future reference…making cassettes of ideas…It’s very natural for me to compose… I meditate before I start working & I find that helps me immensely…It helps bring out the creative spirit, I think…It helps me focus… Doug & I found it very natural to write together from the beginning…Relatively effortless & fun…It’s a 50/50 collaboration… He is a very gifted individual…& very enthusiastic…he also helped engineer & mix the record, so he was involved from the very beginning of the project to the end…That is something that has never happened before… Doug’s a welcome breath of fresh air for me…He doesn’t bring any excess baggage…No questionable agenda…& no unnecessary ego to stroke…he just gets on with it… He’s very caring & passionate about what he does, & thank goodness, the passion includes Whitesnake… He was exposed to Whitesnake before we met, or worked together, so, he was familiar with the approach & the creative identities I’d established, but, he brings such an incredible energy & urgency to Whitesnake that it helps stretch the boundaries much further, without compromising the original attitude… He’s an electrifying guitarist, as anyone who has seen him can testify…Very inspiring to me… The other bonus, of course, is that we’ve developed a strong, supportive personal friendship…

Would you say that GOOD TO BE BAD is a mixture between your blues roots and a modern attitude? Any other influences? Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 5410 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit) Thinking about the new album, I noticed that Whitesnake's last few records have done better/improved in the UK (7, 33, 7), while have done poorly/gotten worse in the US (62, 49, 131). Canada likewise hasn't given the new 'snake any love. The results are even more dramatic for live albums and other stuff interspersed. This is kind of interesting because: Audio: English / DTS-HD Master Audio / 2.0 / 48 kHz / 2430 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) Whitesnake explores the group’s 2008 return with the upcoming legacy retrospective, STILL GOOD TO BE BAD. The collection will be available in different configurations on April 28, a few days after the original album’s 15th anniversary.Right before the release, the album's promotional tour began on 23 March 2008 in Wellington, New Zealand at Westpac Stadium right until they hit the brakes at Thebarton Theatre, Adelaide, Australia on 31 March 2008. Coverdale and Aldrich later performed at the Cutting Room in New York City on 10 April by singing an acoustic version of "Can You Hear the Wind Blow", "Lay Down Your Love", and "All I Want, All I Need." The whole performance was later included in the 2018 Unzipped complication box set as "Starkers." The band took a touring hiatus for over a month to announce tour dates after the album's release.

kbps48,663 kbps00:36:56.597 32,402 kbps00:34:46.300 27,473 kbps00:34:44.966 31,289 bytes 387,287 bytes00:34:02.440 Still... Good to Be Bad " only available as a Japan import by Warner Music Group. Originally announced and released in 2011, another version with the recorded Japanese tour was released on 13 April 2013. Price, Marc A. (10 August 2008). "Whitesnake - Good to Be Bad". PopMatters . Retrieved 23 May 2015. How did you write the material? How important was Doug Aldrich for you as a songwriter, musician and friend?

Whitesnake: Good to Be Bad" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 26 April 2021.

kbps25,685 kbps00:24:32.037 20,742 kbps00:24:28.099 18,172 kbps00:24:23.078 24,738 bytes 151,659 bytes00:24:32.587 The anniversary ended, but the tour buses kept rolling as WHITESNAKE remained in demand on the road. As a result, in 2006, the band released "Live…In The Shadow Of The Blues", a concert album that also introduced four new studio recordings. Those songs raised fans' hopes for a new WHITESNAKE studio album, the first since 1997's "Restless Heart". kbps43,939 kbps00:07:03.222 35,097 kbps00:07:01.254 31,300 kbps00:06:55.898 33,893 bytes 220,859 bytes00:09:24.814 O'Neill, Eamon. "David Coverdale Whitesnake Eonmusic Interview October 2020 Part 1". Eonmusic . Retrieved 9 February 2021.

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DTS-HD Master AudioEnglish2430 kbps2.0 / 48 kHz / 2430 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) The anniversary ended, but the tour buses kept rolling as Whitesnake remained in demand on the road. As a result, in 2006, the band released Live…In The Shadow Of The Blues, a concert album that also introduced four new studio recordings. Those songs raised fans’ hopes for a new Whitesnake studio album, the first since 1997’s Restless Heart. Offiziellecharts.de – Whitesnake – Good to Be Bad" (in German). GfK Entertainment Charts. Retrieved 26 April 2021.

Whitesnake Signs European Deal With SPV; New Live Album Due In November". Blabbermouth.net. 3 August 2006 . Retrieved 12 February 2021. DTS-HD Master AudioEnglish2448 kbps2.0 / 48 kHz / 2448 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) English / DTS-HD Master Audio / 2.0 / 48 kHz / 2448 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) Whitesnake To Record New Songs For Upcoming Live Collection". Blabbermouth.net. 4 February 2006 . Retrieved 12 February 2021.

David Coverdale, Doug Aldrich, Michael McIntyre (as The Brutal Brothers) — producer, engineer, mixing