Dante conjures the moment when the god of the sea saw for the first time the invention and creativity of men, who had learned to sail those very seas of which Neptune was master, thus demonstrating a mastery of their own. Dante’s Neptune analogy is thus the culmination of other moments devoted to human creativity in Paradiso: for instance Adam’s discussion of language-making in Paradiso 26. Step 3 "Atma" : highly painful... highly advised to farm all the atmas for ALL jobs on a job you find comfy for FATE spamming (I did it on BRD because ranged & no cast times). Make a list of zones/atmas, farm FATEs in a zone until you have exhausted them, move to another zone, rinse & repeat until you have all the atmas for all jobs. Step 7-8 : Light grind unsync. Party Finder : spam A9S in party of 4+ ppl, and stay together to also do the 13 trials of Step 8 afterwards (have your Pneumite & Archaic Enchanted Ink ready). Mieko Tadokoro’s still life d’après Juan Sanchez Cotan (above) and Pears Grapes and Pomegranates both recall 17th-century still life paintings. Juan Sánchez Cotán was a Spanish baroque painter whose Quince, cabbage, melon and cucumber (1602) these particular photographs seek to recreate: the quince and cabbage hang by a string and the cut melon and cucumber lay on a table or slab, a stark image far from the luscious products of the Dutch still life painters. Fruits and Flowers—Homage to Roger Fenton, 1983, Willie Anne Wright

Poetics of Light: Pinhole Photography to open | National

Now I come to the invisible ink of Paradiso 33. These one hundred lines, verses 46-145, if renumbered with verse 46 as verse 1, confirm the three circular movements suggested above, by giving them numerological significance. [1] The end of the first movement, line 75 in the original, visible, numbering, is now line 30 in the numbering produced by Dante’s invisible ink. The end of the second movement, line 105 in the original numbering, is now line 60. And the poem’s last line is now, by virtue of divine renumbering in God’s invisible ink, line 100. Simply adapted the spreadsheet I use for my own grind, might have some mistakes here and there... Might update/correct/complete it over time, but let's be honest - probably won't. Make your own copy and do your worst. A chapter of Figures Traced in Light devoted to Louis Feuillade and the cinema of the 1910s has been translated into French in the latest issue of Les Cahiers du Musée national d’art moderne, no. 112–113 (Summer/Autumn 2010). The entire issue is devoted to cinema, with spectacularly illustrated essays on Demy, Godard, and other filmmakers. My old friend Jacques Aumont has an excellent piece on Werner Schroeter’s Death of Maria Malibran and Carmleo Bene’s Salomé. My thanks to Jean-Pierre Criqui for his kind invitation to participate in this issue. [4.Nov.10] A Chinese edition of Film History: An Introduction has been published by Peking University Press. The translator is Fan Bei. Thanks to Luo Jin and Zhou Bin as well! [14.Mar.14]Through Bachelard’s meditations, I have learned some things. One is that light has an axial imagination. The primary axis Bachelard writes on is vertical—how flames devour and want to rise. “The flame is so essentially vertical that it appears, for one who dreams about existence, to be stretched toward transcendence, toward an ethereal non-existence.” We’ve all probably observed how a flame wants to rise—how it translates the material it feeds from and converts it into color, heat, the air. Though he doesn’t describe this, light moves in waves that have perpendicular planes. There it is—that axial imagination again. How remarkable, that this element would move with such strict parameters. I don’t know what to make of it, but I am charmed. In discussing the intimate, mutual, and creative relationship between Keats and Haydon, this thesis draws on those modalities of ‘light and shade’ that are emphasized in the poet’s writings, including his letters. As both an artist and an art critic and polemicist, Haydon was a great exponent, in both practical and theoretical terms, of chiaroscuro effects. His exemplary work in this respect is Christ’s Triumphant Entry into Jerusalem (begun in 1814 and finished in 1820). Haydon’s manipulation of clarity and obscurity in the picture served Keats (himself depicted among the crowd) as encouragement and inspiration for his own poetic creations. From time to time, Haydon advised Keats—who considered the picture a ‘part’ of himself—to materialize a similar complex and unstable polarity in the ‘canvas’ of his own medium of poetry. We will witness the fruits of the friendship between the two men in the development of Keats’s ‘painterly’ poetics of light and shade, from his ‘Great Spirits’ sonnet of late 1816 to his last surviving letter of late 1820. Date of Award Experientially, the project was guided by the study of the poetics of light, by harnessing the power of simplicity and essentialism, and by defining the visitor experience as a cinematic procession. Strategically, there are five noted features of the building design planning:

Alta Lumina - Enchanted night walk - Les Gets Alta Lumina - Enchanted night walk - Les Gets

Step 4 "Animus" : the book hell. worst step of all relics all expansions. described in detail below. not that bad once you get used to it - one book takes less than an hour, including the occasional S-rank, resending retainers, and cleaning the inventory, without breaking a sweat. And what are the elements in architecture that we can use to express the simple message of poetic in our space? With my 5x4 camera I was unable to take exceptionally wide photographs, the widest I could manage was approximately 60mm (equivalent to about 16mm on full frame 35mm cameras). The light fall-off on these photographs should be about two stops, which looks about right based on the results I got. The Results I have to say I'm very pleased with the results from the pinhole photographs I have taken so far and will be looking at making or purchasing a simple box camera pinhole when I get a chance. Resources for the Pinhole PhotographerThe Daylight Award for Architecture Awarded to one or more architects or other professionals who have distinguished themselves by realising architecture or creating urban environments that showcase unique use of daylight. Special emphasis is put on architecture that considers the overall quality of life, its impact on human health, wellbeing and performance, and its value to society. This declaration of arrival is situated in a passage whose rhyme words offer a veritable archeology of the Commedia’s thematics. Afraid to look away lest he be lost — “smarrito” (77) —, the pilgrim is daring — “ardito” (79) — enough to sustain the light, and so he reaches his journey’s end: “i’ giunsi / l’aspetto mio col valore infinito” (my vision reached the Infinite Goodness [80-81]).

Gaston Bachelard Quotes (Author of The Poetics of Space) Gaston Bachelard Quotes (Author of The Poetics of Space)

He has published numerous books revealing the transformative power of daylight in architecture, including early contributions to the Japanese journal Architecture + Urbanism, such as The Poetics of Light (1987), Light in Japanese Architecture (1995), and Masters of Light (2003). The latter is an extensive catalogue of more than 50 20th-century architectural masterpieces, and provides the first comprehensive and compiled analysis of daylight in projects by architects ranging from Alvar Aalto to Frank Lloyd Wright. Film Art: An Introduction has been published in its eleventh edition by McGraw-Hill Higher Education. [1.Feb.16] Wait until you have in store all the stuff from Poetics / GC Seals / Gil for all jobs before starting a step

The copper is deployed on the upper gallery using a proprietary system arranged in a pattern scripted by DesignGroup. Certain panels are perforated and screen a discreet light source that changes the character of the building in the evening. Strategically placed glazing and roof monitors are intended to create both framed views and opportunities for natural lighting. Much of the exterior building wall materials are continued into the building interior. Project Details: Steven Holl in his book “question of perception” said, architecture should have an experiential connection, a metaphysical link, a poetic link. It’s explained that architecture it has to express the poetic of its building, where means express the way of thinking to let us as a human to experience the important value in the space. First of all, prepare all the hand-in thingies for the Step 7 repeatables for all jobs, because you're gonna do the repeatables and store their token rewards WHILE farming books. This will require a lot of Poetics / GC Seals / Gil... So, multiply the list in THE REFERENCE by as many relics as you still need. Although Paul Mellon was keenly interested in the building’s architecture, his perspective was shaped by his love for his art and books. A significant factor in the choice of an architect would be the ability to create a sympathetic environment for the collection rather than a signature architectural statement. The architecture was to serve the art, not the converse.

Imaginations of Light by Sueyeun Juliette Lee - Poetry Foundation

Dante is as one who sees in dream, but who after his vision retains only the imprinted sentiment, the “passione impressa” (59); Here’s a photograph that is about as wide as I could get with the large format setup, taken from the bridge over the river Coe at the bottom of the three sisters. Along with New Mexico History Museum photography curator Daniel Kosharek, they produced the exhibition which ran in the Santa Fe Museum from April 2014 to January 2016 and which will now have its first showing outside that venue at the National Media Museum from 17 March – 25 June 2017. Ornamentation and wealth were also essential in this poetics of light. Abbot Suger in the 12th century declared that ‘everything that is most precious should be used above all to celebrate that holy mass’ (Ibid). The wealth of the church had clearly grown as seen in its access to such materials, and Suger was merely following his monastic predecessors in his utilization of gems as embellishment. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues:His books include The Architecture of Natural Light (2009), Stillness and Light: The Silent Eloquence of Shaker Architecture (2009), Nordic Light: Modern Scandinavian Architecture (2012), and Cosmos of Light: The Sacred Architecture of Le Corbusier (2013). I find him a useful portal into the ways language works upon us. He’s detailed, but also unapologetically intuitive. He writes firmly from his own sense of his imagination. His work is profoundly personal. I find it beautiful. Step 2 "Aug. v1" : FATE/Bozja pain. First of all, you should grind a big bunch of Memories while working on HW relics Step 1 (see above), provided you have this ShB relic step active... Then, the most efficient way to farm them is Bozja Cluster Farming ideally in a party of 8. Kahn was recognized in his lifetime as among the most significant American architects of the Modernist period, and his reputation persists at a time when the work of some other Modernist designers is suffering neglect, alteration, or demolition. I am alone so I dream of the being who has cured my solitude, who would be cured by solitudes. With its life, it brought me the idealizations of life, all the idealizations which give life a double, which lead life toward it summits, which make the dreamer too live by splitting...”