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Tape Deck Heart

Tape Deck Heart

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Cannot understand this review at all. This is the sort of record I've always feared Frank would make. Every other line is a clanger, the instrumentation is woefully uninspired and he even tries to do a falsetto. I can't understand how anyone who genuinely loved EKMB or LI&S could think this was anything more than a 3/5.

Frank Turner - Tape Deck Heart Lyrics and Tracklist | Genius

Thaine, Marcus (16 March 2013). "Frank Turner interview". AsiaLIFE Guide . Retrieved 25 April 2013. a b c d Rodger, James Daniel (22 January 2013). "Frank Turner - Interview". Dance Yrself Clean . Retrieved 25 April 2013. a b Kyle, Steve (12 March 2013). "Interview: Frank Turner on Albatrosses, Relief, Springsteen and C90 Cassettes". Something Gold Something New. Archived from the original on 5 October 2015 . Retrieved 25 April 2013. Upcoming Releases". Hits Daily Double. HITS Digital Ventures. Archived from the original on 16 July 2015.Frank Turner seriously stepped up his production game for this 2013 release, hiring Muse producer Rich Costey, known for a sensibility for tiny details. Departing from Anglocentric lyrics (except on The Fisher King Blues and Broken Piano) and, to some degree, from punk, it’s his most accessible, and arguably strongest, album to date. It's interesting that you mention the similarities to The Counting Crows because I believe he played some songs with them when they were touring here a couple of months ago. He covered one of their songs at his show here too. This album is about self-examination, running through your own faults, about change, and about ending. Something like that."

Tape Deck Heart - (Vinyl LP) | Rough Trade Frank Turner - Tape Deck Heart - (Vinyl LP) | Rough Trade

a b Paine, Andre (20 April 2013). "It's a punk-folk thing: Frank Turner Interview". London Evening Standard . Retrieved 25 April 2013.Pressed on two limited edition burnt red vinyl, the original album is accompanied by a second LP of previously unreleased ‘The Evolution Demos’, mastered and cut by Frank Arkwright at Abbey Road Studios. Comparing the album's lyrical and thematic content to his previous album, England Keep My Bones (2011), Turner noted: "This record isn't about England at all — I did that last time round. This album is about self-examination, running through your own faults, about change, and about ending. Something like that." [16] The album entered the UK chart at No. 2 on its release, and was certified Silver by the BPI on 15 November 2013. [17] It became his most successful album yet, with 200,000 copies sold. [18]



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