Nick Drake: The Life

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Drake was musical from an early age, sporty as a school student, bright enough to study English literature at Cambridge but was troubled and subject to depression, got absorbed by his music, released three albums, withdrew from public performance after the third, Pink Moon (1972), retreated further into himself and died at 26 from an overdose of the antidepressant amitriptyline. Thus there is little of him on record, literally and metaphorically, beyond achingly poignant footage of him as a little by at the beach and photos as an adult, still beautiful. The Telegraph values your comments but kindly requests all posts are on topic, constructive and respectful. Please review our Boyd had left Britain to take a job in America. Bereft of his guidance, Drake arranged with the engineer John Wood to record what would be his third and final album, the starkly beautiful Pink Moon, over just two sessions between 11pm and 2am. They were the only slots Wood could find, but Wood thought he would anyway get the best out of Drake when nobody else was there. “He wasn’t in good shape. He didn’t look healthy.” Like its predecessors, the album vanished leaving barely a trace.

Nick Drake: The Life by Gabrielle Drake | Hachette UK Nick Drake: The Life by Gabrielle Drake | Hachette UK

Jan 16 - Put the correct solo section in "Things Behind The Sun" / Mar 16 - "Cello Song" made less rubbish While Drake’s career as a musician was characterised by diffidence, his youth wasn’t entirely devoid of high jinks. A road trip with some friends to north Africa, for example, saw a memorable encounter with some of his musical heroes I was appalled by Pink Moon,” remembers Drake’s university friend Paul Wheeler. “I found it incredibly upsetting. I thought the songs were frightening. To this day I cannot ever imagine listening to it for pleasure. It’s like opening some terrible Pandora’s box.” On the morning of the 25th November, he was found, lifeless, on his bed. At the coroner’s inquest, a pathologist stated that he had found evidence in Drake’s body of “a serious overdose”. The verdict was suicide. I did enjoy the detail and specifics that Humphries goes into about Drake’s songwriting and guitar playing though. Weirdly this is something I often find is left out of music biogs.

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The first two – Five Leaves Left and Bryter Layter – sold only modestly, around 5,000 copies each, making Drake, who had depression, retreat into himself even further. He felt Wood was one of the few people he could trust. “One day,” recalls Wood, “he just rang up and said he wanted to go into the studio.” Girls adored him. He was tall, good-looking, diffident, quietly well spoken, with none of the faux-Americanisms or affected glottal-stops of most musicians of the day. His shyness and gentleness – “it was impossible to imagine him being angry or unpleasant”, says one friend – were captivating. Yet despite his achingly romantic songs, it seems Drake never had an intimate relationship with anyone. “I would almost describe him as asexual,” one friend remembers. “I think he had a romanticised, even poetic view of women rather than a carnal one.” His greatest infatuation was with Francoise Hardy; there was a suggestion she might record one of his songs. They met in Paris, and it came to nothing but later, but as his mental condition worsened, he travelled to France trying, and failing to, see her. It was the same story with the next two; 1971's relatively upbeat Bryter Later and 1972's much starker Pink Moon. There was limited publicity and Drake’s eventual refusal to play live did not help. His last proper live performance ever was in 1970 and he played little more than 30 shows in his whole career. He simply didn't enjoy it. "There were only two or three concerts that felt right, and there was something wrong with all the others," he said in one of those two press interviews, in 1971 with Sounds magazine. He had champions in the celebrated producer Joe Boyd and in the Velvet Underground's John Cale, who had insisted on working with him, but it wasn't enough. Drake became seriously depressed and returned to live with his parents, telling his mother "I've failed in every single thing I've ever tried to do". He saw psychiatrists, spent five weeks in a psychiatric facility and was even treated with electroconvulsive therapy. My brother once said to my mother, “If only I could feel that my music had helped anyone at all …” and I just wish he could have known how many people his music has helped.’

‘I thought: This boy’s gone, we can’t reach him any more

So it is that Drake has gone from relative obscurity during his lifetime to appearing on the cover of music magazines, being the subject of a Radio 2 documentary presented by Brad Pitt, and having his music appear in mainstream Hollywood movies such as A Beautiful Day in the Neighbourhood and hit TV shows such as Normal People. He's even had a beer named after one of his songs by a Californian craft brewery. Pink Moon was the product of a period of intense, secretive songwriting, during which the singer’s behaviour became more erratic and his mental health deteriorated, much to the anguish of family and friends. It was a mark of the regard in which he was held by associates that the album was recorded with little warning, late at night, exactly as Drake prescribed by engineer/producer John Wood with no external input (the previous two LPs featured arrangements).I hope you can perhaps appreciate that the idea of having my music as a ‘vacation hobby’ for another year-and-a-half is not a particularly happy one. It seems that Cambridge can really only delay me from doing what at the moment I most need to do.” This book is faultless in its detail, drawing on previously unseen family correspondence and the co-operation of Drake’s sister, the actress, Gabrielle, as well as the recollections of a compendious list of friends, musicians and fans, carefully taking the reader through the gestation and completion of virtually every song Drake recorded, and a few he didn’t. The Drake completist could ask for nothing more. And surely, nothing more of his brilliant and ultimately tragic life now needs to be said. Luxuriate in the body of his timeless work, and let him rest in peace. But living alone in a barely furnished Hampstead bedsit – “like a cell, overlooking a neglected garden,” according to one visitor – he started slowly going to pieces, looking progressively more shabby, neglecting to wash his hair or clean his fingernails, passing his days playing the guitar, smoking joints, occasionally forraying out in search of a curry when he became hungry. You believe that the problem of turning yourself from an amateur into a professional can be solved merely by transferring yourself from Cambridge to somewhere where you are surrounded by, and under the influence of, professionals in your chosen field. From what you say I take it that you must believe that it was the prospect of returning to Cambridge for eight-week periods during the year that prevented you, in the long summer vac, from getting into the swim, so to speak, and of starting to acquire the professionalism which you are rightly seeking. Does she think Rodney and Molly would mind her publishing their letters and diaries? “If they’re up there looking down, I hope they’re not too cross.”

Nick Drake: The Life by Richard Morton Jack | Waterstones

Fortunately, one of those which accepted the offer was the Koutoubia Palace, Tangier’s most exclusive nightspot, which is done up in the style of a Moorish palace. I couldn’t help feeling a little out of place, but all the same I played for about quarter of an hour. The reception was extraordinarily good and we all got stood rounds of drinks, which was rather pleasant.” He would be forgotten but for this tragically romantic biography, the simplicity and beauty of his music and the influence he had on songwriters and performers who discovered him after he died. The Endless Coloured Ways takes its title from a line in From the Morning, a song on Pink Moon which, unlike Drake's previous albums, is very stripped down. Some fans see its songs as bleak evidence of his deteriorating mental condition: Fairport Convention’s Richard Thompson, who had played on a couple of numbers on the earlier albums, was "disturbed" when he heard the LP. It "seemed a stark cry for help. The voice of a man teetering on the edge of sanity," he writes in his 2021 memoir Beeswing.Gabrielle also discloses that her mother struggled with depression when she was young. Molly and Rodney had met in Rangoon before the war. He was an engineer with the Bombay Burmah Trading Corporation, she the daughter of an officer in the Indian civil service. “Shortly after they were married, she had pneumonia and went through a depressive illness. But my father was a great stay and support. I think he helped her through it.” The remaining years of Molly and Rodney’s lives were dominated by their son’s death, she says: “They talked, I know, to parents in similar situations, trying to help them.” Viewed thus, the book is a continuation of their work. “I thought that it might just be of use to people going through similar problems. My brother once said to my mother, ‘If only I could feel that my music had helped anyone at all …’ and I just wish he would have known how many people have said to us over the years how his music had helped them.” This book filled in lots of gaps although I now understand how many questions have remained unanswered. I liked the approach of the author in avoiding more myth building and attempting to recognise the human achievements of this exceptional musician. That may have upset some worshippers but I think it was a fair and balanced approach. After the VW advert, according to US music journalist Amanda Petrusich's 2007 book on Pink Moon, sales of the album "increased nearly 500% during the first 10 weeks of 2000, when Drake shifted more than 4,700 copies of Pink Moon, compared to 815 in the same period in 1999". The New York Times reported in 2001 that sales had jumped from about 6,000 copies a year to more than 74,000.